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I commissioned a portrait of a child. At first I was a great joy for someone to trust my ability to pintar.Les asked for a photo of the child and the bad thing is that it was too good to try to paint it. The light was behind her, the child was darkened and his features barely apreciaban.Y well ... I got this picture, although you save a certain resemblance, not a reflection of the child, or at least did not tell me that is why I refused to give parece.Por and expound here to see him.
needed to paint a good picture, and as I am an inexperienced suffer a lot when I charge something, and I can not get the expected result.
I like painting, it relaxes me and raises my self esteem me, except when a request, then it becomes for me a huge slab that grips me and prevents me from expressing myself naturally. Pinto no longer relaxed and pleasant thing becomes a pain.
is hard to please others, but more difficult still pleasing oneself.

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like painting a picture with pastels. PAINTINGS

In this post I'll explain how to paint a pastel portrait from start to final outcome. Hope you like it.



pastel technique has the disadvantage that the materials used (pencils and chalk) are difficult to conservation (arising quickly). Therefore, the paint must be executed within a short period of time.

The surface must be card specific roughness and fix the powder to the paper.
often the most difficult is not painting, is to find a motive that inspires the artist.

In my case this is my big workhorse. All work carries the capture something of yourself in the work, so the reason must be attractive to paint it.

Once chosen this we'll get to work.
If an object is real, good light is essential, because they will be the shadows that will give the illusion of depth to the work. Without them reflected is flat and lifeless.

If instead is a picture, because we have to take a little imagination, to give these tones and perspectives that we can not appreciate.
Here is a photograph of a friend's granddaughter mine who asked me to do a portrait. The commission was accepted with reservations, not knowing the result you could get, but she is so cute that I could not deny.

First

pencil sketch the outline of the figure. By this I assure you have the correct proportions and not be deformed or end figure going outside the cardboard or fall short.


run then what, in the case of a portrait is the face. Course is fundamental. If the facial expression does not work, strike everything else.

First I outline the eyes, mouth and nose, especially the eyes, that's what going to give expression to the individual. The alignment of these pupils is essential and should be well centered. Once done
analyze the picture. Have to wander a bit to see properly, and if you have someone around to give you a better opinion. Two heads are better than one.



then fill the flesh tones, which are the fleshy body parts are light, in this case the face, neck and arms.

For this part use different colors on each other. The bar applied to the cake, later stumping with fingers to achieve the desired skin tone.


For the eye area, eyebrows, teeth, l ABIOS and other hard parts, I use pastel pencils specific. Once

profiled face and filled the flesh tones, start with the dress.

staining cheerfully undertake the work area, in this case with blue shades. I extend the fingers. The fingers are essential for me. I think it was for this reason that I chose this type of painting. The touch of my hands with paint and paper, makes me more about the work I do.

Once done, I start to fix the lights. Where there is more clear, white or gray tones applied, and where there are folds of clothes, wear dark blue or black. This logically result in the sense of volume in Fig.

A part of the face, one of the most complicated to make is the hands. With pastels is not easy to outline the fingers and the shadows of the interdigital spaces, so leave it to the final floor.

If the picture above is not too good because I already imaginareis.

Although I painted just four years is still hallucinating and will bloom the box slowly and strikes me as I have been able to do all these pictures, without any experience.

Once the box is well outlined, are the alterations, is when it begins the struggle of trying to be the best, and the truth which is sometimes exhausting. Almost never completely satisfied.

The cake has the advantage that until you apply the fixative can eliminate some of the paint and repaint.

Of course, all this has a limit, and there comes a time that the card does not support more paint.

The latter is the background shading. In this case I apply several shades of blue to highlight the figure and give it more light.

is amazing how many times a shadow or a line that is added may vary both in the outcome. So you always want to add the detail that always seem to lack.

A painting is like life, there are many the details that make a whole .


HERE IS THE FINAL RESULT. I HOPE YOU LIKE.

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STEPS RELIGIOSAS.CRISTOS, virgins and saints.

The church is the institution that has best managed to express their iconography throughout history. There is no denying that the painting has been one of the best advertising over time. Humans have always felt the desire to worship a higher being, and we need to have a real representation of what we are worshiping. Whether soles, idols, animals, plants, gods or men, we all need to see what we worship. That is why art is full of representations of the Virgin, Christos and Santos. In addition, the church and the ruling class is what has been the economic and cultural power through the ages, at least so far, and obviously has spent part of their resources to fund these works.

always struck me artistic representation of religious images. Was it the need to promote the cult or trying to represent Christ's mystical and Santos, which has caused this great painting. It's very interesting to see the evolution from the medieval period with their flat figures, through the devotion of the Renaissance, the glorious Baroque and finally, the realism of the eighteenth and nineteenth centuries. The twentieth century, given the upheaval that was gave us a mix of styles, as outside the country and the political situation. Finally we come to today where it seems that anything goes with it but we have to live with sometimes unrealistic and disrespectful, but it's the era we live.

I wanted to find the picture that I especially produce a greater sense of religiosity, and why I choose this, the crucified Christ of Velazquez. The light-dark, so the use of baroque strongly exalt the figure of a suffering Christ but conveys serenity. Religion is based a little on the suffering of so many martyrs, but must combine this with other feelings that bring hope to the believer, and I think which is reflected in the light it emits and makes that we now look on his face.

We each have our own Christ and our own Virgin. Not have to be Christian, but if they have to transmit values \u200b\u200bthat make us become better as people. All religions are good and his teachings are. It is not good neither fear nor hatred, the only acceptable weapon to do good to others.

Here you have a link to their religious-themed paintings.

wikipedia religious painting

religious famous painters.

religious art galleries.

religiosus Spiritual and art.

Religious Art History.

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THE inner child. FAMOUS ARTISTS

Of course, to paint a newborn, you have to try to reflect a range of feelings and emotions that logically are not easy to translate. That feeling emerges from the child and captures the observer is not easy. Besides all that, there is nothing more horrible than a child who target fear.
What I want to tell me in this work? For the peace and tenderness that only children know how to express without having to pose, because that is its natural expression.

us a child has to convey just that, peace, kindness, love. Basically what we have been slowly losing on the road. They are sincere, do not lie. If you are hungry you are sued and if not, then nothing, to sleep. They are hypocrites, her smile is sincere and anger as well. We only ask for attention and affection. That is ultimately what we all along our life.

Let's get our child in all of us and express our feelings naturally and without deception.

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Maurice Quentin de La Tour (Saint-Quentin, September 5, 1704 - February 17, 1788). Frances

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Rosalba Carriera (Venice, October 7, 1675 - April 15, 1757). Italian painter

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Jean-Étienne Liotard (Geneva, December 22, 1702 - June 12, 1789) was a Swiss painter

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Jean Baptiste Simeon Chardin (1699-1799)

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Mary Stevenson Cassatt (Pennsylvania, May 22, 1844 - Paris, June 14, 1926). American painter. *


Charles de la Fosse ( Paris, 1636 - 1716) French painter and portraitist.

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Charles Le Brun (Paris , 24 February 1619 of - 22 February 1690 of ). French painter. *


Delacroix, Eugène Charenton-Saint-Maurice 1798 - Paris 1863 Artist Fr ench


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PORTRAITS. THE BLIND EYE.

Make a portrait can be one of the hardest things to achieve in painting. The fact that the person depicted can project a feeling or emotion to the viewer is a complicated task. All painters try, before translating the work, look at something in particular the subject, which he thinks is the soul of it. You can be the eyes, smile, face shape, hair etc. That's what I will try to highlight the work. Sometimes it is right and others not. Not all the paintings we like or what you look at it. But I think most will agree with me that the eyes are essential.
always said that the eyes are the mirror of the soul, and I believe in it completely. Captures the expression of the eyes is to make half portrait. The eyes are going to give all the expressiveness of the face, what we want to convey, is what is going to instill feelings . Dull eyes rise to a lifeless portrait.
always think that when we look at all those characters portrayed, we want to see through their eyes. We want to see life as they would. How many times in front of these paintings stare, unable to look away. Perhaps what I seek to know or want to find myself in those eyes I have no answers.

I leave you with the latest work to do. I tried to create a double game with the look of the girl and the look in the mirror. A picture is suing us for help and the other spreads fear. Anyway, each will transmit what your heart tells you.

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Madonna and Child.

Given that the Virgin Mary was a young mother (assuming 15 years) I tried to capture a Madonna with a baby face and an expression of tenderness more typical of a woman over age. I think the character manages to convey a feeling of tenderness that is not easy to achieve.

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HAPPIEST DAY TOP ARTISTS

Here you have a list of those who believe they have been the best English painters. On the side of the blog contains a survey for those who want to vote for the artists who you think have been the best.
If you think that is missing please agrgarlo in comments.

Diego Velázquez
(Diego de Silva Velazquez, Sevilla, 1599 - Madrid, 1660) English painter. Besides being the foremost artistic personality of his time, Diego Velázquez is also the most prominent figure in English art, unchallenged until the time of Goya.
Diego Velázquez in Seville his apprenticeship in the studio of Pacheco, whose daughter married in 1617. While still a teenager, he painted some religious works (The Immaculate Conception, Adoration of the Magi) with unusual realism and sharp chiaroscuro effects. In the same period belongs a series of works by genre prodigious figures intense intensity and accuracy in the reproduction of both human and types of inanimate objects, among other examples include Old Woman Cooking Eggs and The Water Seller of Seville.
then also painted pictures of unusual religious themes set in everyday settings, like Christ in the House of Martha and Christ at Emmaus, in fact, the ability to turn into something approaching religious scenes and realistic is a characteristic of Baroque Seville bequeathed Velazquez other artists of his time.

These works, a style very different from the rest of the time of maturity, gained some reputation, who came to court, so that in 1623 Diego Velázquez was summoned to Madrid by Count Duke Olivares, favorite of Philip IV, to paint a portrait of the king, much like the work to the sovereign who appointed him court painter. It started well for Velazquez
a long and distinguished career as a courtesan, along which was featured titles, such as camera and gentleman usher of the Order of Santiago. Since his formal appointment until the end of his life he painted numerous portraits of Philip IV and various family members, on foot or horseback.
are works of great realism and exceptional restraint in which the masterful use of light puts the body in space and vibrate around a real atmosphere that surrounds them. The funds, very dense at first, soften and clarify then, over time. In the portraits of women (the Mariana of Austria, for example), the artist recreates in fine clothes, in which shows his great qualities as a colourist.
The culmination of his career as a portraitist is Las Meninas, considered by some as the most important paintings of all time. We must also stress the unique series of dwarfs and cripples of the court. Velasquez made two trips to Italy, one in 1629-1631 and another in 1648-1651. In both produced important works: The robe of Joseph and Vulcan Forge in the first, the portraits of Juan de Pareja and Pope Innocent X in the second, the Pope is a marvelous portrait, equipped with a vivacity, an intensity and an exceptional color.
The genius Seville is also due a masterpiece of history painting, The Surrender of Breda, painted in 1634 for the Hall of Realms of the Buen Retiro palace in Madrid. The merit of the work lies in the absence of the usual haughty pictures of historical subjects and in the shaping of the human facets of the event, the composition admirably determined and ultra-realistic atmosphere have made this work one of the best known teacher.

Francisco de Goya
This painter was inspired by the works of Velázquez. Goya lived in forty-six thousand and seventy thousand and eighty to twenty-eight. It was considered one of the best painters in the eighteenth century, and was compared between old master a modern master. He worked for much of the monarch Charles III and got a lot of nobility. In his early years as an artist, he created paintings on the life of the English. Then in Sentent thousand ninety-two, he had an illness and lost his hearing. He was very depressed and was famous for paintings depicting scenes of horror. The first works of Goya because religion was wanting some money. But the second was on the illustration works and the bourgeoisie. Also the third works were celebrations of the middle class. He was the royal painter by the family of Carlos III and Carlos IV. Painted Black Tables, Disasters of War, and Nonsense. Goya also painted the two Spains. This box represents that occurio after Napoleon. He used dark colors and thick, bold strokes.

Tables Black was painted on the walls in your home during the war of independence. One of the most famous is the painting The Three Shootings of May. This picture is a scene from Napoleon's war and it is very sad and graphic. Goya turned his attention to the Spaniards with light. You can not see the face of the French. He painted a portrait of family of Charles III and became very ugly. This represents his anger more and more about his life. Goya was one of the best artists of his century.

Salvador Dalí

(Figueres, Girona, 1904 - Púbol, 1989) English painter. Salvador Dali was born in early spring 1904 in the bosom of a bourgeois family, sanctimonious son of a notary and a sensible lady fond of birds. He later wrote: "At three years to become a chef. At five I wanted to be Napoleon. My ambition has only grown and is now coming to be Salvador Dali and nothing else. Moreover, it is very difficult because, as I get to Salvador Dalí, he turns away from me. "
Since the relentless persecution and the target would not have ever attained, and since in any corner of his biography was intended to find balance and peace, decided to be excessive at all, performed many characters and sublimate their anguish in a plurality of humor and sordid delusions. It defined itself as "polymorphous perverse, behind and anarchic" "soft, weak and repulsive," but to win this laborious advertising image there used to save some evidence of initiation, and if the favorite game of their first child was wearing the costume of a king, and to his ten years, when painting as The Sick Child, explores the benefits of appearing weak and nervous constitution.
His precocity is striking: at twelve he discovered the French Impressionist style is impressionistic and, at fourteen and has acquaintance with the art of Picasso and Cubism has been made, fifteen years has become editor of the journal Studium, where brilliant pastiches drawn to the section titled "The Great Masters of Painting."
In 1919 he left his native Catalonia and moved to Madrid, he entered the Academy of Fine Arts and befriends the great poet Federico García Lorca and the Surrealist filmmaker Luis Buñuel future, who will distance yet irreversibly in 1930. In the capital takes a special outfit, has long hair, tie and a disproportionately large drag layer to toe. Sometimes wears a sky blue shirt adorned with sapphire cufflinks, holding the hair with a hairnet and polished with oil varnish. Their presence is difficult to go unnoticed.

In the scrambled and conflicting months of 1923 suffered an unfortunate setback. At the Academy of Fine Arts which is attached to occur demonstrations against a teacher, and before the commencement of the official discourse and the violent controversy erupts, Salvador leaves the room. Authorities believe that this gesture was he who gave the signal to attack and rebellion and decided to expel for one year. Then again in Figueras, the guards come to arrest him and spent some time in jail.
On leaving prison receive two joys. The first, an etching press that his father gives him, and the second visit the excellent companion to the Residencia de Estudiantes in Madrid Federico García Lorca, who, on hot summer nights Cadaqués, read the whole family Dalí his poems and plays new compounds. It is there, beside the Mediterranean, where Garcia Lorca writes the famous "Ode to Salvador Dali, published some years later, in 1929, in Revista de Occidente. Soon it will also Luis Buñuel who reach Cadaqués to work with his friend Salvador in a quite unusual screenplay and a movie that will emerge as strange as the Andalusian Dog.
In 1927 Dalí traveled first to Paris, but next year when installed in Paris and joined the Surrealist group led by the poet André Breton. The latter end of movement expelling some years later, in a memorable session trial to which Dalí appeared covered with a blanket and a thermometer in her mouth, pretending to be suffering from fever fictitious and thus becoming oppressive in a ridiculous farce trial.

The triple indictment which then had to face Dalí was, flirting with fascism, to show off a delirious Catholicism and feel a boundless and irrepressible passion for money. This specifically refers to the famous nickname anagrammatical was nicknamed by Breton, Avida dolars, an accusation that far from displeasing to the painter gave him a secret and ironic pleasure. In fact, after meeting what would become his muse and lifelong companion, Gala, then yet another surreal wife, the poet Paul Eluard, Dalí said romantically: "I love Gala more than my mother more than my father, rather than Picasso and more, even, than money."

Gala Salvador fell in love in the summer of 1929 and first she enjoyed the sweetness of eroticism. It depicts the time Adequacy of desire, Illumined Pleasures and The Great Masturbator, painting the latter who was attacked and torn by the fanatic group Puritan's Camelots du Roy. While holding an exhibition of his works at Galerie Goemans in Paris, the young and passionate couple and insulates refuge in the Costa Azul, from the days and nights locked in a small hotel room with closed shutters. Having

Salvador father of the dissolute life of his son for a Eugenio d'Ors article appeared in The Literary Gazette, cuts ties with their offspring, but this should not affect too much, or maybe yes, since it is in that time when the artist makes the best of his work, as the famous painting The Persistence of Memory (1931), where soft clocks hanging from the branch of a tree, the edge of a pedestal and a mysterious form lying on the vast expanse from the beach.

In 1934 he travels with his inseparable and Gala at the United States, where he disembarked and is submitted to journalists with a huge bread baked by the cook of the liner that has carried. In his erratic statements do not hesitate to associate with the phone myth Hitler and Lenin with baseball. Are all nonsensical jokes trying to make them less threatening political situation. Two years later unleashed the brutal civil war in Spain and one of the first signs of the probity of the military insurgents is the infamous murder of his friend Federico García Lorca, a crime that shocked international public opinion. Dalí wrote: "Lorca had personality to make and sell enough to be shot, before any other, for any English."

last known in 1938, thanks to the Viennese writer Stefan Zweig to Sigmund Freud, who had been the great inspiration behind the surrealist aesthetic, which Dalí did not feel marginalized despite the bluster of Breton, but on the contrary, considered the single most genuine example. The father of psychoanalysis had given rise to a new investigation of the unconscious with his book The Interpretation of Dreams (1900), but had never taken too seriously young fans in Paris.

However, the July 20, 1938, after the meeting, Freud wrote in his diary: "Until then I was tempted to regard the surrealists apparently I have chosen as the patron saint as integral crazy (say 95%, as pure alcohol). English young man, with his splendid eyes of a fanatic and undeniable technical mastery, moved me to reconsider my opinion. "Meanwhile, the stunning and amazing artist painted portraits of the" patron saint "of the Surrealists.

installed again in New York in 1939, Dalí accepts a commission to decorate a commercial displays. The theme you choose is the Day and Night, the first evoked by a mannequin in a bathtub gets hairy and second, through the coals and black cloth extended, but the direction changes without consulting the set the author. Dalí, angry, turns the bathtub full of water Astrakhan and the spear against the glass of the window causing a crash and a marked destruction


Joaquin Sorolla Joaquin Sorolla y Bastida, (1863-1923). Painter and graphic artist. He was born on February 27, 1863, in Valencia. When he was just two years old, his parents died because of a cholera epidemic. At Concha orphaned sister and him, his aunt Elizabeth, sister of his mother, and her husband, a professional locksmith, picked them up. Over the years tried to teach him, in vain, the craft of the locksmith, early warning that his true vocation was the 1874 Paint, began studying at the Ecole Normale Superieure where he was advised to also be enrolled in night classes in drawing at the School of Craft. In the latter received in 1879, a box of paints and a diploma as a reward "for their continued application in the drawing figure."

That same year he joined the School of Fine Arts of San Carlos at the same time working in the studio of his tío.Fue at the Academy of San Carlos where he met another student, Juan Antonio Garcia brother who later would become his wife, Clotilde García. In 1880 won a Silver Medal for his work Moro stalking the occasion of his revenge on the exposure of society The Iris.Al finish his training, began sending their work to provincial competitions and exhibitions of fine art, as in Madrid May 1881, where he presented three marine Valencia, although formidable, went almost unnoticed because it does not fit with the official painting of historic and dramatic theme. The following year he studied the work of Velázquez and others in the Museo del Prado. Finally, in 1883, won a medal in the Regional Exhibition of Valencia and in 1884, to glory to get second-class medal at the Exposition Through his work Nacional Dos de Mayo, dark melodramatic made for the exhibition, as he told a colleague: "Here, to be released and win medals, you have to make dead." Achieved major success in Valencia, with The Pallet crit on the War of Independence. In this way, was pensioned by the Diputación Provincial de Valencia to travel to Rome where, while working, he met classical and Renaissance art and great museums, also contacted other artistas.Con his friend the painter Pedro Gil moved to Paris in the first half of 1885, living near Impressionist painting that was in him, now back in Rome, variations in theme and style, coming to paint the religious painting The Burial of Christ, who failed rotundamente.En 1888 he married Clotilde Garcia in Valencia, but would live another year in Italy, this time in the town of Assisi. In 1889 he settled in Madrid and in just five years, Sorolla achieved a certain fame and prestige as a painter. In 1894 he traveled back to Paris where he met the bright, that both would mark his later work. He began to paint outdoors, light mastered and combining it with everyday scenes and landscapes of the Mediterranean lifestyle. In works such as The Return of fishing, Valencia Beach or sad legacy, described the feeling that produced the vision of the Mediterranean Sea, communicating the splendor of a morning on the beach with a colorful, vibrant and vigorous loose style. With sad inheritance received in 1900, the Grand Prix in the international competition in Paris. Also continued with its depiction of social criticism that had been reported many successes in recent years with works such as I faced diuen Peix is \u200b\u200bthe car (1895). At that time, Valencia was named favorite son and meritorious, and was given a street name. After many trips to Europe, especially England and France, held an exhibition in Paris with more than five hundred works, que le dio un reconocimiento internacional inusitado, conociéndose su obra pictórica por toda Europa y América. Expuso su obra en Nueva York en 1909 y cosechó un éxito sin precedente alguno, con obras como Sol de tarde o Nadadores, entre muchas otras. También lo hizo, en 1911, en el City Art Museum de Saint Louis y en el Art Institute de Chicago. En noviembre de ese mismo año, firmó un encargo para la Hispanic Society of America por el que realizaría catorce murales que decorarían las salas de la institución. Con esta obra, realizada entre 1913 y 1919 y de tres metros y medio de alto por setenta metros de largo, alzó un imborrable monumento a España, pues en ella se representaban escenas características of various provinces, both English and Portuguese. It took almost the entire 1912 to travel around the country, making sketches and customs and landscapes. In this work highlights the oil paintings in 1916 dedicated to children and women on the beaches of Valencia, where freedom prevails and the light touch of his land. Some examples are mother and daughter or Fisher Valencia. It also stressed, out of this issue, his boundless canvas Vision España.Otra important facet of his was the portraitist of prominent figures as were Juan Ramón Jiménez, King Alfonso XIII, Vicente Blasco Ibáñez, Ortega y Gasset, etc. Also, in 1914, was named scholar and, when he finished work on the Hispanic Society, a professor of composition and color in the School of Fine Arts in Madrid. His paintings represented the direct application of the luminous landscape and the figure, thus bringing this trend to society época.En 1920, while painting the portrait of Mrs. Perez de Ayala in the garden of his home in Madrid, suffered a attack of hemiplegia that dwindled drastically their physical and mental. He died at his home in Cercedilla on August 10, 1923. Bartolomé Murillo


Bartolomé Esteban Murillo was born in 1617 in Seville, youngest son of a family of fourteen siblings. The Bartolomé Esteban Murillo's father was a barber surgeon named Gaspar Esteban and his mother was Maria Perez Murillo, who took the name to sign his work. When his parents died when she was 10 years, Bartolome Esteban Murillo passed to the care of her older sisters, Anne, married to a barber surgeon called Juan Agustin Lagares, with whom the young Bartolomé Esteban Murillo maintain very good relationship. Although inculcated by his father and was fond of drawing, formed in the workshop of his relative Juan Castillo, a respected artist in Seville, where he soon began to stand out from among his disciples.

His early works, such as bird's La Sagrada Familia Prado Museum, show a clear influence of Naturalism gloomy trend, but less dramatic intensity and greater importance of light. In 1658 he traveled to Madrid, which lets you know the royal collections and what they are doing other famous painters in the Baroque decorative trend. His style evolved, incorporating elements of Italian and Flemish painting to a less naturalistic, more luminous and more free bill as The Birth of the Virgin, painted for the cathedral of Seville. In 1660 it funda la Academia de Sevilla, de la que Murillo fue presidente, junto con Herrera el Mozo, recién llegado de Italia. La década 1660 - 70 es la más fecunda de su carrera, componiendo obras esenciales -como la serie de Santa María la Blanca- que demuestran su evolución de madurez hacia unas formas cada vez más ligeras, aéreas y vaporosas. Famoso por sus Inmaculadas y por los cuadros de pilluelos, también ejecutó retratos de una precisión sobria y elegante.

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Francisco de Zurbarán
Born in Fuente de Cantos (south of the province of Badajoz) on November 7, 1598. At 16 years, and for three years, was apprenticed Seville Pedro Díaz Villanueva-painter of religious images. Once the Learning, Zurbaran went to Llerena. With 18 years was established as a painter and the following year he married for the first time María Páez, a widow, ten years older. They married in 1618 and she died in 1623. In 1625 he married Beatriz de Morales, also a widow older than himself. In 1644 was his third and last marriage to Leonor de Tordera, a woman much younger than him.

In Llerena lived for over ten years doing work for various convents of Extremadura and Seville. In 1629 he was invited by the city of Sevilla and settled in the city during the next 30 years, but between 1634 and 1635 went to Madrid with the commission to paint mythological series of The Labours of Hercules and two paintings of battles for Palacio del Buen Retiro.

His time of great artistic production was the 1640. At that time he made several paintings to King Philip IV as painter ever signed del Rey. In the next decade, however, began to decline work, and not receiving so many orders. One reason may have been the competition that was beginning to Murillo. But he, despite this decline in his career, he continued to paint good works.

In 1649 there was a plague that reduced the population of Sevilla in the middle. It killed nearly all the sons of the painter. As far as the adverse circumstances were compounded by these events.
In 1658 he traveled for the second time in Madrid, where he was to live permanently, but with economic difficulties. Until his death, which occurred on August 27, 1664, was mired in abject poverty.

has been made known at the time of the Baroque and Counter, with religious pictures and scenes of monastic life. His style remained virtually unchanged for several decades, which at first was the secret of his success, but on the other hand condemn ended his career.
His style corresponds to the current gloomy due to the use made of the contrasts of light and shadow, and is basically characterized by simplicity, realism, rigor in the design, exquisite detail, and extensive forms fullness in volume, etc.

With respect to the influences he received, we can say that were the works of Caravaggio, Diego Velázquez and José Ribera most outstanding. At the end of his career was also influenced in more subtle style of Bartolomé Esteban Murillo.

His first known portrait piece, painted when he was 18 years old, was the Immaculate Conception (1616), in which he expressed a devotion well defended in the seventeenth century Spain. Another piece of this style were the Virgin girls or asleep, the Holy Family of the Virgin, poetic visions of the everyday life of Spain at the time. Another topic of success were the images of Jesus, child or adolescent, the Crucified of four nails and two types: dead with head askew, live with your head up. Another work of his youth was a crucified Christ (1626-1630), a theme repeated on numerous occasions throughout his career. Zurbarán painted

While religious stories and images, his main works were a series of paintings and altarpieces for convents. For the Franciscan School of Seville was the cycle of stories of St. Bonaventure (1629) and the Mercy of Seville The two visions of Saint Peter (1629). A first-rate work was The Apotheosis of St. Thomas Aquinas (1631), originally painted for the College of St. Thomas in Seville.

Between 1630 and 1635 held the paintings for Our Lady of the Caves, in Triana, which highlighted St. Hugo in the Refectory of the Carthusians. Then, between 1638-1645, conducted the series of paintings of the Monastery of Guadalupe-only parts that remain in the place of origin ", which portrayed life in various paintings of St. Jerome and the leading figures of his monastic order, as Fray Gonzalo de Illescas.

As I carried out these orders made more mundane work, which represented the saints as: Santa Casilda and Santa Margarita, which are the strongest in this line. Other topics of Zurbarán's work are portraits (Count of Torrelaguna), historical (Socorro de Cádiz) and especially the still lifes (paintings of still life or are rendered tavern scenes, market, etc.). Pablo Picasso



Pablo Picasso was a genius of art and living in the twentieth century. Not lived in Spain for most of his life, but he painted subjects that enveloped Spain. Sometimes, he used the theme of bullfighting in his works. He changed his style many times during his career. The Blue Period was the first time in 1900 and 1900 and one to four. Blues painted on human subjects: the blind, the poor, alcoholics, and prostitutes. All pictures at this time were painted in blue. In the Time of Rosa all of the pictures were painted in shades of red. The theme of this period was the circus scenes. Later, Picasso began creating works of Cubism, his paintings begin with Demoiselles d'Avignon of 1900 and seven. Cubism has influences from Africa and Greece. Nudas used many figures and body changes shape. One of his most famous works is Guernica. This work depicts a scene of bombs on a Basque town during the civil war in Spain. Picasso represented emotions and themes in his works. Picasso chose the artistic opportunities to tell a story of what was happening in Spain, politically socially and economically. Each painting and sculpture represented something larger.

José de Ribera Alonso Cano

Pedro Machuca
Mariano Fortuny
Eduardo Rosales
Joan Miró
Santiago Rusiñol
Juan Gris
Pedro Berruguete
Federico Madrazo
Luis Meléndez
Juan van der Hamen y León

El Greco
El Greco is a painter of the sixteenth century . Born in Creeten in 1541, his father's name was Domenikos Theotopoulos. He began his career in Venice then went to Rome and finally moved to Toledo, Spain in 1577. El Greco painted many religious works in churches near Toledo. One of his earliest known works is The Assumption of the Virgin. The work is in the Santo Domingo Church located in the Old. In addition to religious works, he also painted portraits of nobles or elites, and scenes of Toledo. During the reign of King Philip II El Greco painted a very controversial book. The Undressing of Christ was a controversial painting in the Cathedral of Toledo. The Burial of Count Orgazfue was also another controversial picture in the Church of Santo Tomé. He painted the soul of Count ascending to heaven with angels, saints, with accompanying political figures.

Ramón Casas
Francisco Pacheco Antoni Tàpies

Francisco Ribalta

José de Madrazo
José de Madrazo and Agudo ( Santander , April 22 1781 of - Madrid, May 8 1859 of ) was a painter and English recorder, baroque both neoclassical as studied with
Gregorio Ferro, who teaches the style and technique painting by Anton Raphael Mengs in Real Academia de Bellas Artes de San Fernando . From 1803, studied in Paris with Jacques-Louis David, where he trained as neoclassical real painter and befriended Ingres. Under the government of Joseph Bonaparte scholarship went to Rome .
In 1806, Madrazo, convinced by his teacher David, who invited him to study the classics to natural, Ingres went with his friend, also a student of David to Rome, where he completed his training. There
got a slight hit with the death of Viriato, who painted in the years studied at the Academy of San Lucas.
During the period of the French conquest of Spain, Madrazo, being abroad, was one of the first opponents of the government of Joseph Bonaparte, as the English painter, along with other English artists in Rome, was taken prisoner by the French was in Rome and imprisoned in the Castel Sant'Angelo and then at the English Embassy. There he met the English kings, Carlos IV and Maria Luisa of Bourbon to which Napoleon had imposed exile.
The 2 September 1809 in Rome married to Elizabeth Kuntz and Valentini, daughter of painter Silesian Tadeusz Kunst.
In 1813, Madrazo was appointed court painter to Charles IV . And then, Academic of Merit of the Academy of San Lucas. In the Roman years, Madrazo was devoted mainly to do portraits, with many works representing artists and nobles of the Roman society he knew, above all, Antonio Canova and Vincenzo Camuccini .
In 1815, troops of Lieutenant J. Murat, King of Naples during the Napoleonic Empire, entered Rome , invading the Papal States , in a desperate attempt, after the fall of Napoleon, to unify Italy under his control. This prompted the English kings to abandon their Roman exile, which he lost to José Madrazo his honorific title.
earned a great power within art circles with the coming to power of Ferdinand VII the fall of Napoleon I .
In 1818, José Madrazo returned to Madrid with the pictures from the collection of Fernando's father. Madrazo reorganized the Museo del Prado . It dealt with the documentation of the Royal Collections of painting, the king sought to put in the new Museo del Prado . Created a catalog for the museum which were reproduced lithographically all major paintings in the collection. He was one of the pioneers of lithography, the first to introduce this new technique in Spain.
In 1823 he was appointed Director of the Academy of Fine Arts of San Fernando and then, the Museo del Prado.
would start a long line of artists. Painters were his sons Federico , Juan Luis and , their grandchildren and Raimundo Ricardo . He painted pictures of subjects
religious and historical (" history painting.") Initiated, together with José Aparicio the current pictorial patriotic history, a neoclassical artistic movement, based on patriotic themes. It is framed in a pure classical style. His style was characterized by extreme theatricality and the historical theme of patriotic exaltation, along the lines of David. Ramírez Domínguez describes him as "smug and cold, bombastic and jingoistic hype." As most important paintings have:
Jesus before the High Priest (1805). Viriato
's death (1814, Museo del Prado) is one of the most representative paintings of English Neoclassicism.
Death of Lucretia.
Divine Love and Profane Love (1813, Museo del Prado)
also portraits as those of Charles IV, Isabel II and the Earl of Requena

Ramon Martí i Alsina
Zabaleta Ignacio Zuloaga and Juan Carreño de Miranda

Valeriano Becquer Domínguez
Hermenegildo Anglada
Maruja Mallo
Antoni Utrillo
José Gutiérrez de la Vega
Juan de Valdés Leal
Claudio Coello
Mateo Cerezo
Daniel Vázquez

Eduardo Arroyo Juan Fernandez de Navarrete, the dumb
Fernando Alvarez de Sotomayor Juan
Flanders
Valeriano Becquer
Domínguez Luis Bernardo Martorell
Borrassá

Enma Fernandez Juan Pablo Sanchez Cotan

Oscar Dominguez Cespedes Juan José Cobo Barquera

Juan de Arellano Juan de Juanes

Antonio Lago Rivera
Francisco Herrera The old
Aurelio Arteta and Errasti
Francisco Pradilla
Beruete Aureliano de Antonio María Esquivel

Antonio López García
Joaquim Mir
Francisco Herrera The waiter
Joan Ponç

José Gutiérrez Benjamín Palencia
Solana Rafael Manuel Hernandez Mompó
Canogar
Jaime Huguet
Eusebio Sempere
Bernardo Martorell

Hor Dourves Reception Wedding

SPANISH HISTORY RELIGION AND PAINTING. CHRIST ON A CROSS. MORE VIDEOS ON

Religious painting is perhaps the most difficult to treat when transmit sensations to the notes. There are several aspects to consider: yes you are a believer, the degree of devotion or not the character that represents the experiences of each etc.
not only assessing whether the painting is well executed or not, is that we must also try to print a character to confer an aura that spirituality or feeling that you want to assign. If complicated the picture is more difficult to paint such an important character in the world as Christ.

What is a crucified Christ as I have painted?
mix should be suffering, selflessness, forgiveness, hope .... Plasma as all that? It really is very complicated, really.
I have wanted to mix all those feelings and allow the viewer to hold on to what else you need. Christ I represent is a Christ who is alone, wrapped in a black mist that makes it more dramatic. Sits on the cross, as if preparing for what is ahead. Have an aptitude for acceptance of suffering, but his face is relaxed.

Anyway I still say that what matters is not how it looks but what we want to convey. So that everyone who tries to scratch the surface of the painting, and consolidate within. There is always something more than what we see. We all have a Christ
inside ... with which we suffer, with which we love, with whom to share joys and disappointments. With the comfort we have or tell us we are wrong. And if someone says he has no Christ ... that you call as you want. Names have many, many such aspects.

That matter how you feel, what really matters is feeling it.

What Happens When You Put Orajel On Your Penis

Apart from those contained in the side of the blog, here are other links to several videos about pastel painting, technique and development.

• Video 1 Video 2
• Video 3 Video 4
• Video 5
• Video 6 Video 7
Video 8 Video 9
• English 10 English
Video

I hope you like.

Pokemon Belly Button Ring

PASTEL PAINTING OVER 100 FAMOUS PHRASES AND PAINT WITH PAINT

I just finished a new painting and so it is not so dull post, I happened to put a series of appointments, relexiones and famous phrases related to painting, I've been collecting. I have inserted some photos of exhibitions I've done and have given me much satisfaction. All these quotes are most curious and interesting. The most important thing is that we do not leave unmoved. It's like painting.
If you know any to enlarge you tell me.

So here goes:

The art of painting is to clarify and deeper tone undecorated. Author: Pierre Bonnard

Painting is a mental thing. Author: Pablo Picasso

The painting is the large slate of history. Author: Francisco Umbral

The painting is learned in the museum. Author: Pierre Auguste Renoir

bad thing about abstract painting is to be bothering to read the title of the paintings.
Author: Oscar Pin

A painting is a poem without words. Author: Horacio Quinto Horacio Flaco

A real painting the smallest man is capable of interesting the greatest man.
Author: Thomas Carlyle

Sometimes you have to ruin a little box to finish it. Author: Eugène Delacroix

Although there is only one truth, one could not paint a hundred paintings on the same subject.
Author: Pablo Picasso

Against all opinions, not painters, but viewers who make the pictures.
Author: Marcel Duchamp

In my work, a picture is a sum of destructions. Author: Pablo Picasso

History is a gallery of pictures in which there are few originals and many copies.
Author: Alexis De Tocqueville

Most the heroes are like some pictures, they should not be watching closely. Author: François De La Croix

For a chart requires many things, first, a chair. Author: Ludwig Feuerbach

Painting a picture is either very easy or impossible. Author: Salvador Dalí

Let

so different with men as with pictures, which we always try to give a favorable light. Author: Ralph Waldo Emerson

A painting should be painted with the same feeling with which a criminal commits a crime.
Author: Edgar Degas

A painting in a museum probably hears more foolish remarks than anything else in the world. Author: Edmond and Jules De

The painter is the artist who has more decisions per minute while working. Author: Antonio Saura

The quality of a painter depends on the amount of past that you carry. Author: Pablo Picasso
more avidly
What we love: the picturesque and the unexpected. Author: José Martínez Ruiz

A painter is a man who paints what he sells. An artist, however, is a man who sells what he paints. Author: Pablo Picasso

The merit for the snobs is to always discoveries. Thus come to Dadaism, Cubism and other similar nonsense. Author: Pio Baroja

When I feel a need for religion, I go out at night to paint the stars.
Author: Vincent Van Gogh

Poetry is painting of the ears, like poetry, painting the eyes. Author: Lope de Vega

Every day we should care about good music, reading beautiful poems, paintings and ecstasy talking in pretty reasonable words. Author: Johann W. Goethe

Eloquence is the paint of thought. Author: Blaise Pascal

Painting is stronger than me, he always manages to do what she wants.
Author: Pablo Picasso

stop loving you the day that a painter paint on his canvas the sound of a tear.
Author: Anonymous

The ugliness was instituted for the first time in the art to be displayed the first portrait of the man. Author: Oscar Wilde

Inspiration exists, but it has to find work. Author: Pablo Picasso

The purpose of painting is nothing more than give us a fuller, more comprehensive than that achieved objects in our daily dealings with them. Author: José Ortega y Gasset

The ability to degrade God's works is called by the painters imagination. "
Author: Ruskin

The artist is rather mediocre when you reason to feel. Author: GL Bon

A true artist is never in the public mind. The public, for him, no existence. Author: O. Wilde

A painting is a poem without words. Author: Quinto Horacio Flaco Latin poet.

Painting is mute poetry, poetry blind painting. Author: Leonardo Da Vinci

After all, the painting has to do as one is. Author: Juan Gris

I do not say everything, but I paint everything. Author: Pablo Picasso

A good biography is a portrait painted. Author: Anatole France

Eloquence is a painting of thought, and so that after painting add something more, make a picture rather than a portrait. Author: Blaise Pascal.

In matters of painting an expert can only give bad advice a painter, so I've given up trying to judge me. Author: Written by: Paul R.

Picasso Painting is the art of protecting flat surfaces from the ravages of weather to be exposed to critical damage. Author: Written by: Ambrose Bierce

If I paint my dog \u200b\u200bexactly as it is, of course I have two dogs, but not
a work of art. Author: Anonymous

The painting is the lover of beauty and queen of the arts. Author: Nicolas Poussin's painting surpasses

in excellence and mastery of music, because it does not die after giving birth to their creations as happens to the hapless music, painting, by contrast, continues its existence on a single surface showing all its beauty. Author: Leonardo da Vinci

All painting is a fact: the paintings are loaded with their own presence.

Author: Andy Warhol

pictures are often more real than reality. Author: Oskar Kokoschka

The pictures are meant to be in places of meditation. Author: Guillermo Pérez Villalta

A picture is a microcosm that should be self-sufficient. Author: Pierre Bonnard

The style is a reflection of the ideas of a painter. Author: Fernando Botero

The painter does not use words, use materials, working on sense his eyes and brain. The color is a language, like music. Author: Vladimir Kibalchich

The quality of a painter depends on the amount of past that you carry. Author: Pablo Picasso

The two biggest ventures can be a painter are to be English and called Dali. I have had both good fortune. Author: Salvador Dalí

The painting is the lover of beauty and queen of the arts. Author: Nicolas Poussin

All painting is a fact: the paintings are loaded with their own presence.
Author: Andy Warhol

A picture is a microcosm that should be self-sufficient. Author: Pierre Bonnard

Since the generals and do not die on horseback, the painters are not required to die on the stand. Author: Marcel Duchamp

The style is a reflection of the ideas of a painter. Author: Fernando Botero

The painter is the artist who has more decisions per second while you work.
Author: Antonio Saura

There is a logic of colors, which the painter must be adapted, that is not the logic of the brain. Author: Paul Cézanne

The quality of a painter depends on the amount of past that you carry. Author: Pablo Picasso

and color I are one, am a painter. Author: Paul Klee

Cursed art galleries and museums that can imprison and classified in spirit human.
Author: Marshall McLuhan

A simple line painted with the brush can lead to freedom and happiness.
Author: A.

looked

The world is full of small joys, the art is knowing how to distinguish them.
Author: Li-Tai-Po

The mirrors are used to seeing his own face, the Art to see the soul. Author: B. Shaw

If the single copy nature artist, best artist would be the mirror. Author. Anonymous

Art needs loneliness or misery or passion. Rocky is a flower that requires the harsh wind and tough terrain. Author: Alexandre Dumas, son

Whenever the man's powers are at their fullest, be expressed through art.
Author: John Ruskin

At twelve I could draw like Raphael, but it took a lifetime to learn to paint like a child. Author: Pablo Picasso

The artist finds a greater pleasure in painting than in contemplating the picture. Author: Seneca

Art is ideal, deeply felt and beautifully expressed. Author: Emilio Castelar

Art is above all a state of mind. Author: Marc Chagall Art

beautiful is that, in the hand, head and heart go together. Author: John Ruskin (The last 7 submitted by my friend Susi)

In art as in love tenderness is what gives us strength. Author: Wilde, Oscar

The purpose of art is to embody the secret essence of things, not copying its appearance. Author: Aristotle

The world is full of small joys: the art is knowing how to distinguish them. Author: Tai-Po, Li

The mirrors are used to seeing his own face, art to be the soul. Author: Shaw, George Bernard

We have art for not dying from the truth. Author: Nietzsche, Friedrich Wilhelm

Art is the reflection of the world. If the world is horrible, the reflection is too. Author: Verhoeven, Paul

If absolutely necessary that art and theater count for something, is to teach people that there are activities that are good for nothing and it is essential that they exist. Author: Ionesco, Eugene

Nothing sounds so loud to the ears of the author as silence criticism. Author: Anonymous

Art is useless, but the man is unable to dispense with the useless. Author: Ionesco, Eugene

Whoever cultivates the imagination in art is a little crazy. Your challenge is to make interesting that madness. Author: Truffaut, François

The art is mostly a state of mind. Author: Chagall

All people have the willingness to work creatively. What happens is that most will never notice it. Author: Capote, Truman

Art is a lie that leads us to the truth. Author: Picasso, Pablo

Without art life would be a mistake. Author: Nietzsche, Friedrich Wilhelm

Protecting the taste is killing the art. Author: Anonymous

art has nothing to do with taste. There may prove to be. Author: Ernst, Max

Art is the philosophy that reflects a thought. Author: Tapies, Antoni

Art is the most intense form of individualism that the world has known. Author: Wilde, Oscar

If the world were clear, art would not exist. Author: Camus, Albert

Works will have half finished when they have started well. Author: Seneca, Lucius Annaeus

create is as difficult as to be free. Author: Triolet, Elsa

Art never progresses, evolves. Author: Soldi, Raul

represent

Art is not beauty, but beautiful things. Author: Aviva, Pilar

Art is one means of communication among men. Author: Tolstoy, Leon

art born in the brain and not the heart. Author: Balzac, Honoré de

Love the art, of all lies is the least liar. Author: Flaubert, Gustave

In art there is no bad motives, there is reason misused. Author: Güiraldes, Ricardo

Art is a compendium of the nature formed by the imagination. Author: E Ca de Queiroz, José Maria

Art is like an orange, which requires an appropriate soil and climate to flower and bear fruit. Author: Taine, Hippolyte

Nothing is more common than a passion for art. Author: Dubuffet, Jena

all art must show why men are in such a way. Author: Efremov, Oleg

art should be like, fun and hallucination. Author: Mahfuz, Naguib

Art is the signature of civilization. Author: Sills, Beverly

No great artist ever sees things as they really are, if it did, would to be an artist. Author: Wilde, Oscar

There are millions of artists who create, only a few thousand are accepted or, even, discussed by the viewer, and of those, fewer still become enshrined for posterity. Author: Duchamp, Marcel

is not necessary to believe in what you say an artist, but what he does. Author: Hockney, David

The common is snoring so unbelievable, a dream. Humanity hoarse, but the artist is obliged to make it dream or not an artist. Author: Ponce, Enrique Jardiel

Every artist is so manifold that the critic can not help but find in it what looks steadfastly and a priori. Author: Maurois, André

A miserable people make great artists. Author: Musset, Louis Charles Alfred de

The artist must be mixture of child, man and woman. Author: Sabato, Ernesto

The definitive requirement greatness of the artist is his own death. Author: Thiessen

The greatest artist is he who in the sum of his works has incorporated as many of their best ideas. Author: Ruskin, John

The artwork is divided into two categories: the ones I like and I do not like. I know of no other criterion. Author: Chekhov, P. Anton

end for now ....

Good 21st Birthday Facebook Event Titles

commercials. PASTEL PAINTING

Before painting I always wondered who feel a painter to exhibit their work in public, now you know .... simply one feels naked, nakedness of mind and soul.
Post a picture is actually be naked before the world. Everyone looks at the table, watching him try to see some defecto.Es like sitting on the couch of a physician in his office. You see the look at you, watching you and you remain silent waiting and waiting for the diagnostico.Estaré well, I'll be wrong ......... always that fear that surrounds us.
gustar.Es Fear no fear that we feel everyone from young people ... gustare around me, my teacher, my friend / o, my girlfriend / o. We always live with that fear.
All painters are afraid of not liking, not being able to express what we feel. We fear demeaned, ridiculed or malinterpretados.Muchas sometimes when a picture is frustrating. Not get to express what is intended. These doubts the project into our environment with phrases like ... that's it going? you like?. I miss something? is a continuing insecurity.
All we like, likes to demás.No ourselves and forget that what matters is what you want to convey, and sometimes not so much as transmitted.

French Wedding Thank You Card Wording

. WHAT IS AND WHAT IS ITS HISTORY.

technique pastel painting is the use of a series of colored bars similar to the chalk of the school but differing from these in that its composition, since they carry a high proportion of pigment bonded, either with glue or plaster. This will get bright colors, intense and compact.
is a technique of dry calls, as opposed to oil painting or watercolor, do not use any solvent and applied directly onto the work surface. As support is common to use good quality paper and good weight: The color should be neutral, mostly white, with a slight roughness, so that the powders are more adherent. Anyway This technique is versatile enough for you to use on other surfaces.
painters using this technique, the most noteworthy is the speed of execution of the work and allows corrections with ease.
Historically, the first mention of this technique appears to Leonardo da Vinci in 1495, although only used it to make sketches of his works in charcoal and chalk.
Anyway, the cake is considered eminently French and had to be Jean Perréal (1455-1530), an artist under the court of Louis XII, who later introduced in Italy.
It was not until the splendor of cities as Venice and Genoa, when he began to use, larger scale.
The cake enjoyed its golden age in the seventeenth century, where its bright colors and its ability to reproduce all types of fabrics, textures and lights, it became inseparable in the art of portraiture.
was used by many painters such as Charles Le Brun, Robert Nanteuil or Joseph Vivien.
In the eighteenth century, the cake met his exaltation. Was the medium of fashion to paint portraits, and was often used in a mixed technique with gouache .
The painter Maurice Quentin de La Tour (1704-1788) is perhaps the best known, and was called the "prince of the pastel" fixation method used the cake is gone today. Portraits and still lifes made especially at the end of his life, when he lost sight Jean Baptiste Simeon Chardin (1699-1779), are still much admired. Other artists such as Jean-Baptiste Perronneau (1715-1783) and Jean-Etienne Liotard explored other ways more spontaneous and intimate on the cake.
Soon after came the dark days of this painting technique, which based on the ephemeral nature of his painting (the powder but are set off), was displaced by oil. He became a minor art reserved for a frivolous class already dead. This period coincides with the period of Neoclassicism.
If you do not become by Eugene Delacroix (1798-1863), the cake had probably gone. While the cake
never returned to regain his place in the art world, continued to be used, thanks to the Impressionists, especially Edgar Degas (1834-1917), returned to a place in the world of art. This particular vision and tireless observations, technical rescue them again on the cake.
The bohemian Parisian life of the late nineteenth century which would give him a push unused, as it was the ideal form of expression for these artists who sought a speed-based painterly realization, along with the intensity and brightness of colors.
From this time pastel painting became more popular in modern art because of this ease of expression and the wide range of bright colors used.

Below I leave a few links for you to check.

http://www.artistasdelatierra.com/tecnica/Pastel
http://www.almendron.com/arte/pintura/claves_pintura/cp_06/cp_062/pintura_062.htm
http://pastel . pintores.deeuropa.net /
http://conejoaureo.com/2004/11/25/pintura-al-pastel/
http://www.artelista.com/1-pintura/1-tecnica / 32-pastel.html
http://www.chicagopastelpainters.org/