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HAPPIEST DAY TOP ARTISTS

Here you have a list of those who believe they have been the best English painters. On the side of the blog contains a survey for those who want to vote for the artists who you think have been the best.
If you think that is missing please agrgarlo in comments.

Diego Velázquez
(Diego de Silva Velazquez, Sevilla, 1599 - Madrid, 1660) English painter. Besides being the foremost artistic personality of his time, Diego Velázquez is also the most prominent figure in English art, unchallenged until the time of Goya.
Diego Velázquez in Seville his apprenticeship in the studio of Pacheco, whose daughter married in 1617. While still a teenager, he painted some religious works (The Immaculate Conception, Adoration of the Magi) with unusual realism and sharp chiaroscuro effects. In the same period belongs a series of works by genre prodigious figures intense intensity and accuracy in the reproduction of both human and types of inanimate objects, among other examples include Old Woman Cooking Eggs and The Water Seller of Seville.
then also painted pictures of unusual religious themes set in everyday settings, like Christ in the House of Martha and Christ at Emmaus, in fact, the ability to turn into something approaching religious scenes and realistic is a characteristic of Baroque Seville bequeathed Velazquez other artists of his time.

These works, a style very different from the rest of the time of maturity, gained some reputation, who came to court, so that in 1623 Diego Velázquez was summoned to Madrid by Count Duke Olivares, favorite of Philip IV, to paint a portrait of the king, much like the work to the sovereign who appointed him court painter. It started well for Velazquez
a long and distinguished career as a courtesan, along which was featured titles, such as camera and gentleman usher of the Order of Santiago. Since his formal appointment until the end of his life he painted numerous portraits of Philip IV and various family members, on foot or horseback.
are works of great realism and exceptional restraint in which the masterful use of light puts the body in space and vibrate around a real atmosphere that surrounds them. The funds, very dense at first, soften and clarify then, over time. In the portraits of women (the Mariana of Austria, for example), the artist recreates in fine clothes, in which shows his great qualities as a colourist.
The culmination of his career as a portraitist is Las Meninas, considered by some as the most important paintings of all time. We must also stress the unique series of dwarfs and cripples of the court. Velasquez made two trips to Italy, one in 1629-1631 and another in 1648-1651. In both produced important works: The robe of Joseph and Vulcan Forge in the first, the portraits of Juan de Pareja and Pope Innocent X in the second, the Pope is a marvelous portrait, equipped with a vivacity, an intensity and an exceptional color.
The genius Seville is also due a masterpiece of history painting, The Surrender of Breda, painted in 1634 for the Hall of Realms of the Buen Retiro palace in Madrid. The merit of the work lies in the absence of the usual haughty pictures of historical subjects and in the shaping of the human facets of the event, the composition admirably determined and ultra-realistic atmosphere have made this work one of the best known teacher.


Francisco de Goya

This painter was inspired by the works of Velázquez. Goya lived in forty-six thousand and seventy thousand and eighty to twenty-eight. It was considered one of the best painters in the eighteenth century, and was compared between old master a modern master. He worked for much of the monarch Charles III and got a lot of nobility. In his early years as an artist, he created paintings on the life of the English. Then in Sentent thousand ninety-two, he had an illness and lost his hearing. He was very depressed and was famous for paintings depicting scenes of horror. The first works of Goya because religion was wanting some money. But the second was on the illustration works and the bourgeoisie. Also the third works were celebrations of the middle class. He was the royal painter by the family of Carlos III and Carlos IV. Painted Black Tables, Disasters of War, and Nonsense. Goya also painted the two Spains. This box represents that occurio after Napoleon. He used dark colors and thick, bold strokes.

Tables Black was painted on the walls in your home during the war of independence. One of the most famous is the painting The Three Shootings of May. This picture is a scene from Napoleon's war and it is very sad and graphic. Goya turned his attention to the Spaniards with light. You can not see the face of the French. He painted a portrait of family of Charles III and became very ugly. This represents his anger more and more about his life. Goya was one of the best artists of his century.

Salvador Dalí


(Figueres, Girona, 1904 - Púbol, 1989) English painter. Salvador Dali was born in early spring 1904 in the bosom of a bourgeois family, sanctimonious son of a notary and a sensible lady fond of birds. He later wrote: "At three years to become a chef. At five I wanted to be Napoleon. My ambition has only grown and is now coming to be Salvador Dali and nothing else. Moreover, it is very difficult because, as I get to Salvador Dalí, he turns away from me. "
Since the relentless persecution and the target would not have ever attained, and since in any corner of his biography was intended to find balance and peace, decided to be excessive at all, performed many characters and sublimate their anguish in a plurality of humor and sordid delusions. It defined itself as "polymorphous perverse, behind and anarchic" "soft, weak and repulsive," but to win this laborious advertising image there used to save some evidence of initiation, and if the favorite game of their first child was wearing the costume of a king, and to his ten years, when painting as The Sick Child, explores the benefits of appearing weak and nervous constitution.
His precocity is striking: at twelve he discovered the French Impressionist style is impressionistic and, at fourteen and has acquaintance with the art of Picasso and Cubism has been made, fifteen years has become editor of the journal Studium, where brilliant pastiches drawn to the section titled "The Great Masters of Painting."
In 1919 he left his native Catalonia and moved to Madrid, he entered the Academy of Fine Arts and befriends the great poet Federico García Lorca and the Surrealist filmmaker Luis Buñuel future, who will distance yet irreversibly in 1930. In the capital takes a special outfit, has long hair, tie and a disproportionately large drag layer to toe. Sometimes wears a sky blue shirt adorned with sapphire cufflinks, holding the hair with a hairnet and polished with oil varnish. Their presence is difficult to go unnoticed.

In the scrambled and conflicting months of 1923 suffered an unfortunate setback. At the Academy of Fine Arts which is attached to occur demonstrations against a teacher, and before the commencement of the official discourse and the violent controversy erupts, Salvador leaves the room. Authorities believe that this gesture was he who gave the signal to attack and rebellion and decided to expel for one year. Then again in Figueras, the guards come to arrest him and spent some time in jail.
On leaving prison receive two joys. The first, an etching press that his father gives him, and the second visit the excellent companion to the Residencia de Estudiantes in Madrid Federico García Lorca, who, on hot summer nights Cadaqués, read the whole family Dalí his poems and plays new compounds. It is there, beside the Mediterranean, where Garcia Lorca writes the famous "Ode to Salvador Dali, published some years later, in 1929, in Revista de Occidente. Soon it will also Luis Buñuel who reach Cadaqués to work with his friend Salvador in a quite unusual screenplay and a movie that will emerge as strange as the Andalusian Dog.
In 1927 Dalí traveled first to Paris, but next year when installed in Paris and joined the Surrealist group led by the poet André Breton. The latter end of movement expelling some years later, in a memorable session trial to which Dalí appeared covered with a blanket and a thermometer in her mouth, pretending to be suffering from fever fictitious and thus becoming oppressive in a ridiculous farce trial.

The triple indictment which then had to face Dalí was, flirting with fascism, to show off a delirious Catholicism and feel a boundless and irrepressible passion for money. This specifically refers to the famous nickname anagrammatical was nicknamed by Breton, Avida dolars, an accusation that far from displeasing to the painter gave him a secret and ironic pleasure. In fact, after meeting what would become his muse and lifelong companion, Gala, then yet another surreal wife, the poet Paul Eluard, Dalí said romantically: "I love Gala more than my mother more than my father, rather than Picasso and more, even, than money."

Gala Salvador fell in love in the summer of 1929 and first she enjoyed the sweetness of eroticism. It depicts the time Adequacy of desire, Illumined Pleasures and The Great Masturbator, painting the latter who was attacked and torn by the fanatic group Puritan's Camelots du Roy. While holding an exhibition of his works at Galerie Goemans in Paris, the young and passionate couple and insulates refuge in the Costa Azul, from the days and nights locked in a small hotel room with closed shutters. Having

Salvador father of the dissolute life of his son for a Eugenio d'Ors article appeared in The Literary Gazette, cuts ties with their offspring, but this should not affect too much, or maybe yes, since it is in that time when the artist makes the best of his work, as the famous painting The Persistence of Memory (1931), where soft clocks hanging from the branch of a tree, the edge of a pedestal and a mysterious form lying on the vast expanse from the beach.

In 1934 he travels with his inseparable and Gala at the United States, where he disembarked and is submitted to journalists with a huge bread baked by the cook of the liner that has carried. In his erratic statements do not hesitate to associate with the phone myth Hitler and Lenin with baseball. Are all nonsensical jokes trying to make them less threatening political situation. Two years later unleashed the brutal civil war in Spain and one of the first signs of the probity of the military insurgents is the infamous murder of his friend Federico García Lorca, a crime that shocked international public opinion. Dalí wrote: "Lorca had personality to make and sell enough to be shot, before any other, for any English."

last known in 1938, thanks to the Viennese writer Stefan Zweig to Sigmund Freud, who had been the great inspiration behind the surrealist aesthetic, which Dalí did not feel marginalized despite the bluster of Breton, but on the contrary, considered the single most genuine example. The father of psychoanalysis had given rise to a new investigation of the unconscious with his book The Interpretation of Dreams (1900), but had never taken too seriously young fans in Paris.

However, the July 20, 1938, after the meeting, Freud wrote in his diary: "Until then I was tempted to regard the surrealists apparently I have chosen as the patron saint as integral crazy (say 95%, as pure alcohol). English young man, with his splendid eyes of a fanatic and undeniable technical mastery, moved me to reconsider my opinion. "Meanwhile, the stunning and amazing artist painted portraits of the" patron saint "of the Surrealists.

installed again in New York in 1939, Dalí accepts a commission to decorate a commercial displays. The theme you choose is the Day and Night, the first evoked by a mannequin in a bathtub gets hairy and second, through the coals and black cloth extended, but the direction changes without consulting the set the author. Dalí, angry, turns the bathtub full of water Astrakhan and the spear against the glass of the window causing a crash and a marked destruction



Joaquin Sorolla Joaquin Sorolla y Bastida, (1863-1923). Painter and graphic artist. He was born on February 27, 1863, in Valencia. When he was just two years old, his parents died because of a cholera epidemic. At Concha orphaned sister and him, his aunt Elizabeth, sister of his mother, and her husband, a professional locksmith, picked them up. Over the years tried to teach him, in vain, the craft of the locksmith, early warning that his true vocation was the 1874 Paint, began studying at the Ecole Normale Superieure where he was advised to also be enrolled in night classes in drawing at the School of Craft. In the latter received in 1879, a box of paints and a diploma as a reward "for their continued application in the drawing figure."

That same year he joined the School of Fine Arts of San Carlos at the same time working in the studio of his tío.Fue at the Academy of San Carlos where he met another student, Juan Antonio Garcia brother who later would become his wife, Clotilde García. In 1880 won a Silver Medal for his work Moro stalking the occasion of his revenge on the exposure of society The Iris.Al finish his training, began sending their work to provincial competitions and exhibitions of fine art, as in Madrid May 1881, where he presented three marine Valencia, although formidable, went almost unnoticed because it does not fit with the official painting of historic and dramatic theme. The following year he studied the work of Velázquez and others in the Museo del Prado. Finally, in 1883, won a medal in the Regional Exhibition of Valencia and in 1884, to glory to get second-class medal at the Exposition Through his work Nacional Dos de Mayo, dark melodramatic made for the exhibition, as he told a colleague: "Here, to be released and win medals, you have to make dead." Achieved major success in Valencia, with The Pallet crit on the War of Independence. In this way, was pensioned by the Diputación Provincial de Valencia to travel to Rome where, while working, he met classical and Renaissance art and great museums, also contacted other artistas.Con his friend the painter Pedro Gil moved to Paris in the first half of 1885, living near Impressionist painting that was in him, now back in Rome, variations in theme and style, coming to paint the religious painting The Burial of Christ, who failed rotundamente.En 1888 he married Clotilde Garcia in Valencia, but would live another year in Italy, this time in the town of Assisi. In 1889 he settled in Madrid and in just five years, Sorolla achieved a certain fame and prestige as a painter. In 1894 he traveled back to Paris where he met the bright, that both would mark his later work. He began to paint outdoors, light mastered and combining it with everyday scenes and landscapes of the Mediterranean lifestyle. In works such as The Return of fishing, Valencia Beach or sad legacy, described the feeling that produced the vision of the Mediterranean Sea, communicating the splendor of a morning on the beach with a colorful, vibrant and vigorous loose style. With sad inheritance received in 1900, the Grand Prix in the international competition in Paris. Also continued with its depiction of social criticism that had been reported many successes in recent years with works such as I faced diuen Peix is \u200b\u200bthe car (1895). At that time, Valencia was named favorite son and meritorious, and was given a street name. After many trips to Europe, especially England and France, held an exhibition in Paris with more than five hundred works, que le dio un reconocimiento internacional inusitado, conociéndose su obra pictórica por toda Europa y América. Expuso su obra en Nueva York en 1909 y cosechó un éxito sin precedente alguno, con obras como Sol de tarde o Nadadores, entre muchas otras. También lo hizo, en 1911, en el City Art Museum de Saint Louis y en el Art Institute de Chicago. En noviembre de ese mismo año, firmó un encargo para la Hispanic Society of America por el que realizaría catorce murales que decorarían las salas de la institución. Con esta obra, realizada entre 1913 y 1919 y de tres metros y medio de alto por setenta metros de largo, alzó un imborrable monumento a España, pues en ella se representaban escenas características of various provinces, both English and Portuguese. It took almost the entire 1912 to travel around the country, making sketches and customs and landscapes. In this work highlights the oil paintings in 1916 dedicated to children and women on the beaches of Valencia, where freedom prevails and the light touch of his land. Some examples are mother and daughter or Fisher Valencia. It also stressed, out of this issue, his boundless canvas Vision España.Otra important facet of his was the portraitist of prominent figures as were Juan Ramón Jiménez, King Alfonso XIII, Vicente Blasco Ibáñez, Ortega y Gasset, etc. Also, in 1914, was named scholar and, when he finished work on the Hispanic Society, a professor of composition and color in the School of Fine Arts in Madrid. His paintings represented the direct application of the luminous landscape and the figure, thus bringing this trend to society época.En 1920, while painting the portrait of Mrs. Perez de Ayala in the garden of his home in Madrid, suffered a attack of hemiplegia that dwindled drastically their physical and mental. He died at his home in Cercedilla on August 10, 1923. Bartolomé Murillo


Bartolomé Esteban Murillo was born in 1617 in Seville, youngest son of a family of fourteen siblings. The Bartolomé Esteban Murillo's father was a barber surgeon named Gaspar Esteban and his mother was Maria Perez Murillo, who took the name to sign his work. When his parents died when she was 10 years, Bartolome Esteban Murillo passed to the care of her older sisters, Anne, married to a barber surgeon called Juan Agustin Lagares, with whom the young Bartolomé Esteban Murillo maintain very good relationship. Although inculcated by his father and was fond of drawing, formed in the workshop of his relative Juan Castillo, a respected artist in Seville, where he soon began to stand out from among his disciples.

His early works, such as bird's La Sagrada Familia Prado Museum, show a clear influence of Naturalism gloomy trend, but less dramatic intensity and greater importance of light. In 1658 he traveled to Madrid, which lets you know the royal collections and what they are doing other famous painters in the Baroque decorative trend. His style evolved, incorporating elements of Italian and Flemish painting to a less naturalistic, more luminous and more free bill as The Birth of the Virgin, painted for the cathedral of Seville. In 1660 it funda la Academia de Sevilla, de la que Murillo fue presidente, junto con Herrera el Mozo, recién llegado de Italia. La década 1660 - 70 es la más fecunda de su carrera, componiendo obras esenciales -como la serie de Santa María la Blanca- que demuestran su evolución de madurez hacia unas formas cada vez más ligeras, aéreas y vaporosas. Famoso por sus Inmaculadas y por los cuadros de pilluelos, también ejecutó retratos de una precisión sobria y elegante.

Julio Romero de Torres




Francisco de Zurbarán

Born in Fuente de Cantos (south of the province of Badajoz) on November 7, 1598. At 16 years, and for three years, was apprenticed Seville Pedro Díaz Villanueva-painter of religious images. Once the Learning, Zurbaran went to Llerena. With 18 years was established as a painter and the following year he married for the first time María Páez, a widow, ten years older. They married in 1618 and she died in 1623. In 1625 he married Beatriz de Morales, also a widow older than himself. In 1644 was his third and last marriage to Leonor de Tordera, a woman much younger than him.

In Llerena lived for over ten years doing work for various convents of Extremadura and Seville. In 1629 he was invited by the city of Sevilla and settled in the city during the next 30 years, but between 1634 and 1635 went to Madrid with the commission to paint mythological series of The Labours of Hercules and two paintings of battles for Palacio del Buen Retiro.

His time of great artistic production was the 1640. At that time he made several paintings to King Philip IV as painter ever signed del Rey. In the next decade, however, began to decline work, and not receiving so many orders. One reason may have been the competition that was beginning to Murillo. But he, despite this decline in his career, he continued to paint good works.

In 1649 there was a plague that reduced the population of Sevilla in the middle. It killed nearly all the sons of the painter. As far as the adverse circumstances were compounded by these events.
In 1658 he traveled for the second time in Madrid, where he was to live permanently, but with economic difficulties. Until his death, which occurred on August 27, 1664, was mired in abject poverty.

has been made known at the time of the Baroque and Counter, with religious pictures and scenes of monastic life. His style remained virtually unchanged for several decades, which at first was the secret of his success, but on the other hand condemn ended his career.
His style corresponds to the current gloomy due to the use made of the contrasts of light and shadow, and is basically characterized by simplicity, realism, rigor in the design, exquisite detail, and extensive forms fullness in volume, etc.

With respect to the influences he received, we can say that were the works of Caravaggio, Diego Velázquez and José Ribera most outstanding. At the end of his career was also influenced in more subtle style of Bartolomé Esteban Murillo.

His first known portrait piece, painted when he was 18 years old, was the Immaculate Conception (1616), in which he expressed a devotion well defended in the seventeenth century Spain. Another piece of this style were the Virgin girls or asleep, the Holy Family of the Virgin, poetic visions of the everyday life of Spain at the time. Another topic of success were the images of Jesus, child or adolescent, the Crucified of four nails and two types: dead with head askew, live with your head up. Another work of his youth was a crucified Christ (1626-1630), a theme repeated on numerous occasions throughout his career. Zurbarán painted

While religious stories and images, his main works were a series of paintings and altarpieces for convents. For the Franciscan School of Seville was the cycle of stories of St. Bonaventure (1629) and the Mercy of Seville The two visions of Saint Peter (1629). A first-rate work was The Apotheosis of St. Thomas Aquinas (1631), originally painted for the College of St. Thomas in Seville.

Between 1630 and 1635 held the paintings for Our Lady of the Caves, in Triana, which highlighted St. Hugo in the Refectory of the Carthusians. Then, between 1638-1645, conducted the series of paintings of the Monastery of Guadalupe-only parts that remain in the place of origin ", which portrayed life in various paintings of St. Jerome and the leading figures of his monastic order, as Fray Gonzalo de Illescas.

As I carried out these orders made more mundane work, which represented the saints as: Santa Casilda and Santa Margarita, which are the strongest in this line. Other topics of Zurbarán's work are portraits (Count of Torrelaguna), historical (Socorro de Cádiz) and especially the still lifes (paintings of still life or are rendered tavern scenes, market, etc.). Pablo Picasso



Pablo Picasso was a genius of art and living in the twentieth century. Not lived in Spain for most of his life, but he painted subjects that enveloped Spain. Sometimes, he used the theme of bullfighting in his works. He changed his style many times during his career. The Blue Period was the first time in 1900 and 1900 and one to four. Blues painted on human subjects: the blind, the poor, alcoholics, and prostitutes. All pictures at this time were painted in blue. In the Time of Rosa all of the pictures were painted in shades of red. The theme of this period was the circus scenes. Later, Picasso began creating works of Cubism, his paintings begin with Demoiselles d'Avignon of 1900 and seven. Cubism has influences from Africa and Greece. Nudas used many figures and body changes shape. One of his most famous works is Guernica. This work depicts a scene of bombs on a Basque town during the civil war in Spain. Picasso represented emotions and themes in his works. Picasso chose the artistic opportunities to tell a story of what was happening in Spain, politically socially and economically. Each painting and sculpture represented something larger.

José de Ribera Alonso Cano

Pedro Machuca

Mariano Fortuny

Eduardo Rosales

Joan Miró
Santiago Rusiñol

Juan Gris

Pedro Berruguete
Federico Madrazo

Luis Meléndez

Juan van der Hamen y León


El Greco

El Greco is a painter of the sixteenth century . Born in Creeten in 1541, his father's name was Domenikos Theotopoulos. He began his career in Venice then went to Rome and finally moved to Toledo, Spain in 1577. El Greco painted many religious works in churches near Toledo. One of his earliest known works is The Assumption of the Virgin. The work is in the Santo Domingo Church located in the Old. In addition to religious works, he also painted portraits of nobles or elites, and scenes of Toledo. During the reign of King Philip II El Greco painted a very controversial book. The Undressing of Christ was a controversial painting in the Cathedral of Toledo. The Burial of Count Orgazfue was also another controversial picture in the Church of Santo Tomé. He painted the soul of Count ascending to heaven with angels, saints, with accompanying political figures.

Ramón Casas

Francisco Pacheco
Antoni Tàpies

Francisco Ribalta


José de Madrazo
José de Madrazo and Agudo ( Santander , April 22 1781 of - Madrid, May 8 1859 of ) was a painter and English recorder, baroque both neoclassical as studied with
Gregorio Ferro, who teaches the style and technique painting by Anton Raphael Mengs in Real Academia de Bellas Artes de San Fernando . From 1803, studied in Paris with Jacques-Louis David, where he trained as neoclassical real painter and befriended Ingres. Under the government of Joseph Bonaparte scholarship went to Rome .
In 1806, Madrazo, convinced by his teacher David, who invited him to study the classics to natural, Ingres went with his friend, also a student of David to Rome, where he completed his training. There
got a slight hit with the death of Viriato, who painted in the years studied at the Academy of San Lucas.
During the period of the French conquest of Spain, Madrazo, being abroad, was one of the first opponents of the government of Joseph Bonaparte, as the English painter, along with other English artists in Rome, was taken prisoner by the French was in Rome and imprisoned in the Castel Sant'Angelo and then at the English Embassy. There he met the English kings, Carlos IV and Maria Luisa of Bourbon to which Napoleon had imposed exile.
The 2 September 1809 in Rome married to Elizabeth Kuntz and Valentini, daughter of painter Silesian Tadeusz Kunst.
In 1813, Madrazo was appointed court painter to Charles IV . And then, Academic of Merit of the Academy of San Lucas. In the Roman years, Madrazo was devoted mainly to do portraits, with many works representing artists and nobles of the Roman society he knew, above all, Antonio Canova and Vincenzo Camuccini .
In 1815, troops of Lieutenant J. Murat, King of Naples during the Napoleonic Empire, entered Rome , invading the Papal States , in a desperate attempt, after the fall of Napoleon, to unify Italy under his control. This prompted the English kings to abandon their Roman exile, which he lost to José Madrazo his honorific title.
earned a great power within art circles with the coming to power of Ferdinand VII the fall of Napoleon I .
In 1818, José Madrazo returned to Madrid with the pictures from the collection of Fernando's father. Madrazo reorganized the Museo del Prado . It dealt with the documentation of the Royal Collections of painting, the king sought to put in the new Museo del Prado . Created a catalog for the museum which were reproduced lithographically all major paintings in the collection. He was one of the pioneers of lithography, the first to introduce this new technique in Spain.
In 1823 he was appointed Director of the Academy of Fine Arts of San Fernando and then, the Museo del Prado.
would start a long line of artists. Painters were his sons Federico , Juan Luis and , their grandchildren and Raimundo Ricardo . He painted pictures of subjects
religious and historical (" history painting.") Initiated, together with José Aparicio the current pictorial patriotic history, a neoclassical artistic movement, based on patriotic themes. It is framed in a pure classical style. His style was characterized by extreme theatricality and the historical theme of patriotic exaltation, along the lines of David. Ramírez Domínguez describes him as "smug and cold, bombastic and jingoistic hype." As most important paintings have:
Jesus before the High Priest (1805). Viriato
's death (1814, Museo del Prado) is one of the most representative paintings of English Neoclassicism.
Death of Lucretia.
Divine Love and Profane Love (1813, Museo del Prado)
also portraits as those of Charles IV, Isabel II and the Earl of Requena

Ramon Martí i Alsina

Zabaleta Ignacio Zuloaga and Juan Carreño de Miranda

Valeriano Becquer
Domínguez
Hermenegildo Anglada

Maruja Mallo

Antoni Utrillo

José Gutiérrez de la Vega

Juan de Valdés Leal

Claudio Coello

Mateo Cerezo

Daniel Vázquez


Eduardo Arroyo Juan Fernandez de Navarrete, the dumb
Fernando Alvarez de Sotomayor Juan
Flanders
Valeriano Becquer
Domínguez Luis Bernardo Martorell
Borrassá

Enma Fernandez Juan Pablo Sanchez Cotan

Oscar Dominguez Cespedes Juan José Cobo Barquera

Juan de Arellano
Juan de Juanes

Antonio Lago Rivera
Francisco Herrera The old
Aurelio Arteta and Errasti
Francisco Pradilla
Beruete Aureliano de Antonio María Esquivel

Antonio López García
Joaquim Mir
Francisco Herrera The waiter
Joan Ponç

José Gutiérrez Benjamín Palencia
Solana Rafael Manuel Hernandez Mompó
Canogar
Jaime Huguet
Eusebio Sempere
Bernardo Martorell


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